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‘Still’ | Shortlisted for Saboteur Indy Lit Award

Still is shortlisted in the Saboteur Indy Lit Awards for Best Mixed Anthology. Congratulations to all the talented Still writers and many thanks to everyone who has been so supportive of the book.

Readers are invited to vote for the book, details at Saboteur Shortlist

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David Hebblethwaite’s story-by-story review of ‘Still’

DAVID HEBBLETHEWAITE is a renowned book blogger from Yorkshire, who reviews both novels and short fiction on his blog Follow the Thread. He also writes reviews for The Huffington PostStrange HorizonsWe Love This Book and Fiction Uncovered. He’s a big supporter of the short story format and since the end of September, he has reviewed every story that appears in Still – in chronological order. We’ve listed a brief excerpt from each individual review below, or you can read the full reviews here.

Foyles, Charing Cross Road, Still in Anthologies

‘Still’ on sale at Foyles

And the ending is a real shock to the system. ‘Midnight Hollow’ – Mark Piggott

But, for those four pages, the author convinces you it’s all true. ‘My Wife, The Hyena’ – Nina Killham

I also love the way Blackman transforms the imagery of dirt trailing down a wall; the ending of ‘Sanctuary’ becomes as much a tableau as one of Bakker’s photographs. ‘Sanctuary’ – Andrew Blackman

Wyld  keeps the atmosphere suitably unsettling, and any hope she offers comes with its own nagging doubt. ‘Corridor’ – Evie Wyld

There’s a neat reversal in this story, and I like Frey’s use of the staircase as an image and venue. ‘The Staircase Treatment’ – Myriam Frey

The choppy rhythms of van Mersbergen’s prose underline the sense of unease, up to a rather chilling end. ‘Pa-Dang’ – Jan van Mersbergen

The titular rose acts a symbol of the family’s hope – something to keep growing in the garden, and not to remove, for fear of angering the landlord. ‘A Rose For Raha’ – Ava Homa

Royle tops it off with a dark twist at the end. ‘The Blind Man’ – Nicholas Royle

It’’s amusing to read, but also leaves one with the nagging thought of just how easily that sort of thing could happen… ‘From the Archive’ – James Miller

Details of ‘real’ life are heightened through their transformation into Hershman’s science-fiction idiom, and the ending is especially poignant. ‘Switchgirls’ – Tania Hershman

Rechner makes good use of sensory detail to convey the stuffy and intense atmosphere of the theatre. ‘The Playwright Sits Next to Her Sister’ – Mary Rechner

Hussein reveals the full possibilities only gradually, and even then keeps the truth ambiguous. ‘The Tree at the Limit’ – Aamer Hussein

Just as Beard’s piece blurs the line between fact and fiction, so it effectively portrays lifts as simultaneously useful and threatening spaces. ‘Life Under Inspection, Do Not Touch’ – Richard Beard

This is a nicely paced story, with an effective sting in its ending. ‘Odd Job’ – Preeta Samarasan

What follows is a snappy, rhythmic jaunt through the cacophony of modern life. ‘Noise’ – James Higgerson

 ‘A Job Worth Doing’ is more a celebration of what has passed. ‘A Job Worth Doing’ – SJ Butler

Rose captures a certain stiff formality in the voice of his protagonist; and the range of details focused on creates an effective sense of diffuseness. ‘Sere’ – David Rose

This piece is both a portrait of the emotional value that books can have to someone; but it’s also a poignant tale of loss… ‘Morayo’ – Sarah Ladipo Manyika

A well-constructed mosaic of events from Justin Hill’s life, with recurring themes of memory and going through doors. ‘Waiting’ – Justin Hill

What gives this story its edge is a clear sense that this is a false hope, and that the protagonist can’t move on in life because she won’t let go of the idea. ‘Ten A Day’ – Jan Woolf

‘Opportunity’ provides an elegant and broad examination of its issues. ‘Opportunity’ – Barbara Mhangami-Ruwende

Its supernatural twist gives this tale a very effective chill. ‘In the Dressing Room Mirror’ – Claire Massey

I like the ambiguity in the ending of this piece, and especially how it illuminates the narrator’s character. ‘The Owl at the Gate’ – Nicholas Hogg

Definitely a story that carries greater force than its length might suggest. ‘Still’ – SL Grey

This absorbing read takes a shocking turn. ‘How to Make a Zombie’ – Deborah Klaassen

A fine note on which to end the anthology. ‘Winter Moon’ – Xu Xi

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‘Still’ competition: winning story ‘Piano’ by AJ Ashworth

Negative Press London is excited to post the winning story of the Still/Negative Press London/Foyles short story competition. To celebrate the publication of Still, writers were invited to write a story up to 500 words, inspired by the photograph ‘The Stage (Piano)’ by Roelof Bakker.

The winning story, ‘Piano’, is written by AJ Ashworth and was selected from over one hundred submitted stories. Judge Evie Wyld said: ‘It was the voice that attracted me and Nicholas Hogg to this one. Her story is strong and understated at the same time.’

‘Piano’ is also on display at Foyles on London’s Charing Cross Road until the end of November 2012.

Piano

The Stage (Piano) by Roelof Bakker

Photograph by Roelof Bakker

This is not the place she thought she’d return to.

She imagined she’d be with Arthur. Strolling up the promenade as grey, northern skies broke open above them. Or lying beneath him, as he moved over her that first time – the second night of their honeymoon in a B&B in Blackpool.

Perhaps she might have returned to the births of their three children. To the first glimpse of each old face in her arms. Each a miniature Arthur, right down to the wrinkled brows and thin lips, the pale, translucent skin. All of them with long pianists’ fingers too, just like her own mother, even though none of them ever played or ever showed any interest in wanting to.

If they had, perhaps things would have been different for her. Better.

But no. Her failing mind has brought her here. To the stage of the concert hall. Standing in the wings and hidden by the curtains – those heavy ripples of yellow velvet which she would touch, if she knew she wouldn’t get her hand smacked for it.

Her mother stands just behind her, not touching but close. She can’t see her, facing towards the piano as she is, but can feel her, as if the woman is a tall, thin planet at her shoulder. Pulling on her and dark with gravity. Unaware of how she is able to draw in whoever she wants, whenever she wants them – even those she doesn’t.

There is a burst of noise from the auditorium, sudden as rain on a tin roof. The announcer looks at her his hand out towards the piano. He says her name again and then, ‘Young pianist extraordinaire’, his eyes growing wider each second she fails to move.

Finally, her mother pushes her arm. ‘Go on then,’ she says, the applause dying. ‘And don’t embarrass me.’

And she is out, beneath the hot lights, walking towards the piano. Scraping the seat out and sitting down as a sigh of air escapes from a small hole in the side of the cushion. She notices the overwhelming smell of lacquer and, then, how a tiny yellow thread from a duster has become trapped by a hairline crack in one of the keys.

‘In a grand piano,’ she recalls her mother saying during one of her lessons, ‘it’s gravity that brings the hammer to a rest after it’s hit a string. It helps you play faster.’

But when she tries to lift her hands from her lap to place them in their starting position, nothing happens. It is as if they too are being pulled down by gravity.

‘Nobody should have been left there like a sitting duck,’ her father said, later. Her mother in the mirror fussed with a curl at the back of her ear.

She’d never had another lesson after that – not from her mother, not from anyone. In all honesty, she’d probably never had the right kind of hands.

AJ Ashworth was born and brought up in Lancashire and is a former journalist who now works in publishing. She is the winner of Salt Publishing’s Scott Prize 2011 and her debut collection Somewhere Else, or Even Here was published in 2011 by Salt. This collection of short stories was also shortlisted for the 2012 Edge Hill Prize and nominated for the Frank O’Connor International Short Story Award.

A Q&A with AJ about her life as a writer will be posted here soon.

AJ Ashworth blog

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‘Still’ short story competition: A.J. Ashworth announced as winner

A big thank you to everyone for submitting stories to the Still short story competition organised by Negative Press London and Foyles – London’s iconic independent bookseller.

All the entries were read by Roelof Bakker (editor, Still) and Lisa Bywater (local marketing manager, Foyles) who together selected a shortlist of ten stories.

These ten stories were consequently read and judged by contributing Still authors Nicholas Hogg and Evie Wyld. Stories were supplied without the writers’ names.

Nicholas and Evie have selected what they felt was the strongest entry and the winning story is by A.J. Ashworth from Lancashire.

Judge Evie Wyld says: ‘It was the voice that attracted me and Nicholas Hogg to this one. Her story is strong and understated at the same time.’

Roelof Bakker, Still editor says: ‘The ten stories shortlisted were all stupendous and each highly original. I would have happily included all of them in the Still anthology. Congratulations to the shortlisted writers, but also to everyone else for entering – Lisa Bywater and myself greatly enjoyed reading your work.’

A.J. Ashworth will receive a copy of Still, a print of ‘The Stage (Piano)’, a copy of The Hummingbird And the Bear by Nicholas Hogg and After the Fire, A Still Small Voice by Evie Wyld and her story will be exhibited as part of the Still exhibition at Foyles on Charing Cross Road from Friday 26 October 2012 in the first floor Café. Her story will also be published on the Foyles and Negative Press London blogs and we look forward to interviewing her for the Negative Press London blog.

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Photographs from ‘Still’ launch event, 26 September 2012 at Foyles, Charing Cross Road, London

THANK YOU! Negative Press London says a BIG thanks to all the writers (reading/non-reading) who were at the Still launch event in the Gallery at Foyles, as well to all the people who came for what was a very lively entertaining literary evening.

The readings went down a storm and the audience really enjoyed the mix of writing and related photography. It was a special treat to hear the stories read out with such passion and panache. Q&As, discussions and mingling followed!

Thanks to the writers who were there: SJ Butler, Myriam Frey, Tania Hersham, James Higgerson, Justin Hill, Nicholas Hogg, Aamer Hussein, Nina Killham, Deborah Klaassen (thanks for setting up Facebook event), Claire Massey, James Miller, Jan Woolf and Evie Wyld.

And thanks to the writers who were there in spirit: Richard Beard, Andrew Blackman, SL Grey, Ava Homa, Sarah Ladipo Manyika, Jan van Mersbergen, Barbara Mhangami-Ruwende, Mark Piggott, Mary Rechner, David Rose, Nicholas Royle, Preeta Samarasan and Xu Xi.

A big cheers to Paul Savage for a fantastic bar service and to David Owen at Foyles for five star help and organisation.

All photographs by Roman Skyva, www.romanskyva.com

If anyone has any photographs they want to share, email to info@neg-press.com (max file width 1000px at 72dpi, if possible)

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‘Still’ exhibition at Foyles, Charing Cross Road, London – until 30 October

The Green Room

‘Still’: an exhibition of photographs and excerpts from related stories

An exhibition of photographs from Still by Roelof Bakker has opened at Foyles, 113-119 Charing Cross Road, London WC2H 0EB.

Twenty large size photographs of vacated spaces at Hornsey Town Hall are exhibited in two separate spaces: the Café on the first floor and the Gallery on the third floor.

In line with the approach of the literary art book, each photograph is accompanied by a brief excerpt from the related story with the writer’s name and story’s title included.

‘STILL’ AT THE CAFÉ ON THE FIRST FLOOR, FROM 18 SEPTEMBER TO 30 OCTOBER
With excerpts from stories by Andrew Blackman, SL Grey, Tania Hershman, Justin Hill, Ava Homa, Claire Massey, Jan van Mersbergen, James Miller and Evie Wyld.

‘STILL’ AT THE GALLERY ON THE THIRD FLOOR, FROM 18 SEPTEMBER TO 30 SEPTEMBER
With excerpts from stories by Richard Beard, SJ Butler, James Higgerson, Nicholas Hogg, Nina Killham, Deborah Klaassen, Barbara Mhangami-Ruwende, Mark Piggott, Preeta Samarasan and Jan Woolf.

Justin Hill, Waiting, from Still Negative Press London 2012

Excerpt from ‘Waiting’ by Justin Hill to accompany the print ‘The Green Room’

The book itself was launched at Foyles on 26 September in the Gallery with a literary event including readings by Tania Hershman, Justin Hill, Nicholas Hogg, Aamer Hussein, James Miller (with Jan Woolf) and Evie Wyld as well as a screening of the video film from the project with other visuals.

FOYLES EXHIBITION DETAILS

Negative Press London and Foyles have also launched a short story competition.

NEGATIVE PRESS LONDON AND FOYLES: SHORT STORY COMPETITION

EXHIBITIONS SPECIFICATIONS
20 C-type prints from negative film with film information borders, size 50cm x 50cm, framed. 20 plagues with story excerpts mounted on foam board.

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Negative Press London and Foyles launch short story competition

Negative Press London and Foyles have launched a short story competition

This is an open competition, so anyone is invited to submit their writing (although terms and conditions apply). In line with the approach of Still, the idea is to write a story inspired by the photograph below, however loose the connection (500 words max).

The winning story will be published online at www.foyles.co.uk and at www.negpress.com and will become part of the Still exhibition at Foyles on Charing Cross Road, London.

The winner will also receive a copy of literary art book Still, an artist’s print and copies of The Hummingbird and the Bear by Nicholas Hogg and After the Fire, a Still Small Voice by Evie Wyld.

The competition will be judged by Still editor Roelof Bakker, writers Nicholas Hogg and Evie Wyld with Lisa Bywater, Local Marketing Manager at Foyles.

The Stage (Piano) by Roelof Bakker

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